Since few years, the use of photography roots his painting in the objects of the reality. It is these objects of the reality that he works again and again, that he recomposes, that he stages) before (graphic assembly) and\or after (painting, sticking) their transfer on the painting.
He operates this metamorphosis of the reality on his painting as we operate it constantly individually or collectively. He is in search of our oscillations between Reality, Imagination and Symbolism, with the ambition to put the spectator in front of the painting, in order to recognize in it one another himself and to be touched or upset. As the time, he puts us in front of our desires with the only luggage of our past experiences.
He tells stories put on the time, in balance between the front and later. The child who is born is a tree of the possible, with uncountable branches. How many branches does it stay in him, how many branches died due to taking always the same roads of experimentation and knowledge?
Do we take advantage of the crossroads, even painful, which life offers us to be reborn more present, more calmed? Are our desires our desires or icons which we make and consume together to calm our fears? And if the strength comes to open us to the world, are we always on the road to reach there, aren’t we already on the road of renunciation?